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Topping And Butch Hit Leicester Square 26-27 September 08

Paul Gudgin steps down

Edinburgh Fringe Festival’s director leaves after its most successful year

By Leroy Harris

The Edinburgh Festival Fringe announced on 22 January 2007 that Paul Gudginits Director since 1999is stepping down. He is leaving after the most successful Fringe ever to produce a variety of festival and event-related projects both in the UK and internationally.

Paul Gudgin will remain with the Fringe until the launch of the 2007 programme on Thursday 7 June 07. It is anticipated that the post of Director of the Fringe will be advertised in the next few weeks with interviews taking place in the Spring.

Baroness Elizabeth Smith, Chair of the Fringe Board of Directors said ‘I’m personally very sad that Paul is leaving the Fringe but after 8 years I recognise that he needs to explore other opportunities. Paul has contributed an extraordinary amount to the Fringe during his time in office. The growth in ticket sales, performing companies and new venues has been headline news for many years. It’ll be a huge loss for me personally but I’m sure Paul will make a fantastic contribution to any organisation he works for. I wish him all the luck in the world.’

Paul Gudgin said ‘It’s been a great privilege to run the world’s largest arts festival for the past 8 years and I’m pleased that as an organisation we’ve passed some impressive milestones and seen such exponential growth. But it’s time for me to move on. While I’m leaving at a time of strength for the Fringe, there are still many challenges that my successor will face but fortunately they’ll also be inheriting a wonderful job and the opportunity to work with a fantastic group of people from the Fringe staff and board to the venue managers, performers and other festivals.’

Paul Gudgin studied for a degree in music at the University of Surrey. After leaving university in 1986 he took up his first post in the arts as Concerts Manager for the Aldeburgh Foundation. They promote the Aldeburgh Festival, established by Benjamin Britten and Peter Pears and also manage Snape Maltings Concert Hall. Paul Gudgin was then appointed Manager of the Bury St Edmunds Festival in 1989 at the age of 25. Over the five years he spent there, he extended the event from a small cluster of productions over two weekends into a busy sixteen-day showcase described by The Times as ‘one of the best small Festivals in Britain’.

From Bury St Edmunds, Paul Gudgin moved to Edinburgh in 1995 when he became General Manager of the Queen’s Hall. This busy concert hall is home to the Scottish Chamber Orchestra and hosts over 300 events a year. His strong association with festivals continued as the Queen’s Hall itself hosts events by the Edinburgh International Festival, the Edinburgh International Jazz Festival and of course the Edinburgh Festival Fringe. He was appointed Director of the Edinburgh Festival Fringe in April 1999.

Milestones from Paul Gudgin’s 8 years with the Fringe:

1999

Paul Gudgin becomes the new Director of the Edinburgh Festival Fringe in April following on from Hilary Strong. Tensions are still running high following the decision of the Fringe to move its start date a week earlier than the Edinburgh International Festival.
  • The Fringe takes over the management of the High Street during August
  • Assembly Theatre almost lose their venue after a long running feud with the City Council
  • Al Murray wins the Perrier Award
  • Shows receiving high praise from the critics include Nixon’s Nixon, Hopeless Games, Wreck the Airline Barrier, Danny’s Wake and The House of Pootsie Plunkett
  • Pastor Jack Glass and his supporters picket the ‘Gay Jesus’ play Corpus Christi

2000

  • A new venue, The Underbelly, is launched in vaults under George IV Bridge
  • The Fringe loses two key venues as Café Graffiti and The Palladium close
  • The Fringe becomes the first arts organisation in the UK to adopt real-time online ticketing which proves an instant hit
  • Shows receiving critical acclaim include Picasso’s Women, Further than the Furthest Thing, King of Scotland, Decky Does a Bronco, Steven Berkoff’s Messiah, Are You Dave Gorman? and The Donkey Show

2001

  • Gregory Burke’s debut play Gagarin Way proves a huge hit with critics and audiences
  • Fringe launches 2-for-1 tickets increasing sales by 226% on the opening weekend of the festival.
  • Rob Newman leads a call to boycott the Perrier Awards to highlight Nestlé’s controversial powdered milk sales in the developing world
  • Fringe Sunday moves from Holyrood Park to The Meadows
  • Notable shows included Bedbound, Mental, Man in the Flying Lawn Chair, Jesus Hopped the A Train and 3 Dark Tales

2002

  • The Fringe sells 975,000 tickets outstripping this years’ Commonwealth Games in Manchester
  • The Fringe features a large number of shows influenced by the September 11 terrorist attack on New York including the world première of a Steven Berkoff poem and The Guys performed by Tim Robbins and Susan Sarandon
  • Award-winners include Horse Country, Derevo: la Divina Commedia, Outlying Islands, Bomb-itty of Errors and Victory at the Dirt Palace
  • Jerry Springer the Opera causes a stir, particularly when Jerry Springer turns up to watch

2003

  • The Fringe sells one million tickets for the first time.
  • The Fringe includes 204 venues, the largest ever number despite losing 3 venues including the Gilded Balloon in the Old Town Fire
  • Site-specific venues are all the rage with a public toilet, a Ford Escort, a stepladder, a bus, a New Town flat and a lift all being used
  • The Scottish Socialist Party backed Edinburgh People’s Festival challenging the established festivals for being ‘elitist’
  • Fringe comedian Aaron Barschak makes national headlines after breaking into Prince William’s 21st birthday party at Windsor Castle

2004

  • Christian Slater wows the critics in One Flew Over the Cuckoo’s Nest which transfers straight to London’s West End.
  • The sexually explicit show XXX and Tim Fountain’s show Sex Addict cause widespread controversy
  • Comedian Mark Watson completes an astounding 24-hour show
  • Will Adamsdale is a surprise winner of the Perrier Award at his first appearance on the Fringe
  • The City of Edinburgh Council and The Scottish Executive commission the ‘Thundering Hooves’ study as Edinburgh faces growing competition from other cities
  • The Fringe open a new Press and Performers’ Centre in Old Fishmarket Close

2005

  • Many shows deal with issues surrounding the War on Terror including Terrorist the Musical, Manifest Destiny (an al-Qaeda love story) and War, Terror and other Fun Stuff
  • The Fringe boasts a greatly expanded theatre programme including Bill Bailey and Alan Davies in The Odd Couple
  • Young survivors of the Boxing Day tsunami charm audiences with their show Children of the Sea
  • Fringe stalwart Christopher Richardson steps down after 21 years as Director of the Pleasance
  • Laura Solon becomes the first female winner of the Perrier Award for 10 years
  • The Fringe open a Half-Price Hut and e-ticket tent which between them sell an additional 45,000 tickets.
  • A City Council-funded economic impact study estimates that the Fringe generates £75 million annually for the local economy and generated media coverage in the UK equivalent to £6.6 million in advertising value

2006

  • The Fringe sells over 1.5 million tickets for the first time, almost double the number sold 10 years ago.
  • The National Theatre of Scotland present their first production, Gregory’s Burke’s Blackwatch, on the Fringe to full houses and rave reviews
  • Over half of the tickets sold by the Fringe box office were sold online and www.edfringe.com received 73 million hits in August alone.
  • After 25 years Perrier are replaced as sponsor of the comedy awards by Intelligent Finance, creating the if.comeddies
  • The much anticipated report into Edinburgh’s future competitiveness as a Festival City ‘Thundering Hooves’ is published
  • Retiring International Festival Director Brian McMaster wins the Jack Tinker Spirit of the Fringe Award
  • All Edinburgh’s main festivals join forces to create ‘Festivals Edinburgh’. Faith Liddell is appointed as its first Director

Facts about the Edinburgh Festival Fringe

  • The Fringe has a 75% market share of all attendance at Edinburgh’s year-round festivals and annually generates around £75 million for the Edinburgh and Scottish economy.
  • Fringe 2006 featured 28,014 performances of 1,867 shows in 261 venues
  • An estimated 16,990 performers were on Edinburgh’s Fringe stages.
  • The Fringe sells 97% more tickets than it did only 10 years ago (679,147 in 1995, 1338,550 in 2005).

Box office statistics from Paul Gudgin’s Directorship

YearTicket SalesValue £ SterlingNumber of Shows
1999860,357£6,218,3481,382
2000735,196£5,548,0171,354
2001873,887£6,633,7661,462
2002975,110£7,888,1111,550
20031,184,738£9,948,7011,541
20041,251,997£10,794,1761,695
20051,338,550£11,764,6241,832
20061,531,606£13,735,0411,927
Totals8,751,441£72,530,78412,743

END

(c) Leroy Harris / Edinburgh Festival Fringe Press Office / 22 January 07

For more information, photographs and to arrange interviews contact Leroy Harris or Louise Page at the Fringe Press Office on 0131 226 0024 or press@edfringe.com

Fringe Report (c) Fringe Report 2002-2008