Dublin Fringe Festival Awards 2005

www.fringefest.com

Colman Higgins reports from Dublin:


*** AWARD - Project Arts Centre / Dublin Fringe Festival Spirit Of The Fringe ***

For the company which best embodies the spirit of the Fringe

Nominees
Glue Factory (Brass Picnic)
Heike Schmidt (Bed & Breakfast)
Performance Lab @ Roundabout Theatre (Tumbledowntown)
Rough Magic Seeds II Showcase (Woyzeck)

Winner
Performance Lab @ Roundabout Theatre (Tumbledowntown)



*** AWARD - Eircom Most Imaginative Use of Technology ***

Winner
The Lucidity Suitcase Intercontinental (El Conquistador)



*** AWARD - Jayne Snow Award ***

For the qualities of innovation, bravery and risk taking in the pursuit of artistic excellence. In memory of actress Jayne Snow

Nominees
Giddy Productions (Mind Your Fingers)
Mangiare Theatre Company & John Brown Theatre (tinylife)
Trap Door Theatre (See No Evil)

Winner
Giddy Productions (Mind Your Fingers)



*** AWARD - Best Production ***

Nominees
Bedrock Productions (Urban Ghosts)
CoisCeim Dance Theatre (Knots)
Jo Stromgren Kompani (The Hospital)
Performance Lab @ Roundabout Theatre (Tumbledowntown)

Winner
CoisCeim Dance Theatre (Knots)



*** AWARD - Sexiest Production ***

Nominees
Vie Laroque (Tropea)
Jo Stromgren Kompani (The Hospital)
Smith Wymore (Nothing Happens)
The Stomach Box (A Season in Hell)

Winner
Jo Stromgren Kompani (The Hospital)



*** AWARD - Best Male Performer ***

Nominees
Rami Baruch, Ocean of Sugar (The Timekeepers)
Jordi Cortez (Lucky)
Ivan Marcos & Al Seed, Hoax Productions (Raw Beef)
Simon Toal, Flipside & Spacecraft Productions (The Friends of Jack Cairo)

Winner
Jordi Cortez (Lucky)



*** AWARD - Best Female Performer ***

Nominees
Madeleine Appiah, Calypso Productions (I Have Before Me A Remarkable Document Given to me by a Young Lady from Rwanda)
Vania Gala (Automatic ID)
Roz Hammond (Full Blown Rose)
Siobhan Power, DIY Theatre & Kneeling Bus Theatre (One Good Marriage)

Winner
Vania Gala (Automatic ID)


END

(c) Colman Higgins 15 October 05

Fringe Report (c) Fringe Report 2002-2012