Free climbing is the extreme sort - without ropes. Taken into Hal's world of Hal (Thom Disney, who plays all characters), its tragic consequences are revealed, for everyone who knows him. As the audience enters, Hal is already on the rock, suspended in the dark, an eerie glow about his body.

First there's a seemingly innocent story: a climbing-tour guide in Russia explains the history of the rocks, before a group embark on a free climb. The penalties of the trip are revealed and - through a series of characters - the effect the trip has on Hal's life. Doctors, school counsellors, his father-in-law, son, psychiatrist, and friend expose his state of mind and the decisions he takes in the months which follow the trip. Hal never speaks - it is left to the other characters to tell the story.

This physical piece of storytelling asks the question: Why take part in extreme sport and why continue, despite the risks and what it may cost to those close? The lighting creates a sense of loneliness on the rock face, and marks a distinction between scenes and moods. The set is minimal, but a rock-wall allows the actor to express the skill of climbing. As a piece of physical theatre, it is highly watchable - but the narrative does not rely on this. Both the story and physical aspects of the production complement each other.

All of Tom Disney's characters feel believable. There's a smoothness and fluency to each change of character, and each has a distinct voice. Although probably not needed, as Tom Disney communicates each person well, they each have a signature prop, which makes them identifiable immediately as scenes change. 45 minutes passes quickly, and it's the right length for the play. Pace is maintained throughout, and the writing is tight with no scene wasted.

Cast Credits: (alpha order): Thom Disney - all characters.

Company Credits: Writer / Director - Adam Bruce. Stage Manager / Operator - Naomi Brooke. Publicity Designer - Paul Rains. Producers - Tia Hassan & Jimmy McGhie. Company - Velocet.

END

(c) Helen Johnson 2008

reviewed Tuesday 5 August 2008 / Underbelly Ironbelly, Edinburgh

Fringe Report (c) Fringe Report 2002-2012

www.fringereport.com